Lisa-Maree Amos's flute solo during Casta Diva was a memorable highlight, performed with requisite delicacy and refinement. Bellini Norma at Hamer Hall. Alexandra Mathew - Limelight Magazine
Lisa-Maree Amos of Orchestra Victoria [Melbourne] excels in Precious First Rat, where her gamboling alto flute is paired with Haladyna’s celesta. CD Jeremy Haladyna's Mayan Cycle, Precious First Rat for Alto Flute and Celesta - innova.mu
Orchestra Victoria did a splendid job, especially Lisa-Maree Amos on flute (it’s kind of important for this one.)
Victorian Opera Mozart's Magic Flute Ian Nisbett - theatrepeople.com.au
Lisa-Maree Amos' flute playing is also worth mentioning here, she plays with a lovely tone and a beautiful
sense of phrasing. Duo performances on CD Below, with Peter Sheridan.
The disc's jewel is the Adagio and Variations especially composed for the
Solo Flautist at Opera Garnier, the beloved Paul Taffanel.
Hats off to Lisa-Maree Amos who executes this passage with surpassing grace.
CD recording of Elan, the ballet music of Saint-Saens Franzois Laurent - Diapason (France)
"Sheer golden sound - the flutist Lisa-Maree Amos was outstanding"
Richard Dyer - Boston Globe
"Finely played by Lisa-Maree Amos - an altogether excellent concert
Michael White - Independent on Sunday, UK
Opening the program was Wagner's moving "Siegfried Idyll," of note
throughout the program were standout performances by principal flute,
Lisa-Maree Amos. Sabine Kortals - Denver Post
"The second half of the program brought a stunning performance
of Claude Debussy's Sonate for Flute, Viola and Harp.
Flutist Lisa-Maree Amos brought magic to the Boulder Theater with
crystalline playing" Colorado Daily, USA