Lisa-Maree Amos's flute solo during Casta Diva was a memorable highlight, performed with requisite delicacy and refinement. Bellini Norma at Hamer Hall.   Alexandra Mathew - Limelight Magazine

Lisa-Maree Amos of Orchestra Victoria [Melbourne] excels in Precious First Rat, where her gamboling alto flute is paired with Haladyna’s celesta. CD Jeremy Haladyna's Mayan Cycle, Precious First Rat for Alto Flute and Celesta - innova.mu

Orchestra Victoria did a splendid job, especially Lisa-Maree Amos on flute (it’s kind of important for this one.) 

Victorian Opera Mozart's Magic Flute Ian Nisbett - theatrepeople.com.au 

Lisa-Maree Amos' flute playing is also worth mentioning here, she plays with a lovely tone and a beautiful

sense of phrasing. Duo performances on CD Below, with Peter Sheridan. 

Carla Rees - The Flute - British Flute Society Magazine

The disc's jewel is the Adagio and Variations especially composed for the

Solo Flautist at Opera Garnier, the beloved Paul Taffanel.

Hats off to Lisa-Maree Amos who executes this passage with surpassing grace.

CD recording of Elan, the ballet music of Saint-Saens  Franzois Laurent - Diapason (France) 

"Sheer golden sound - the flutist Lisa-Maree Amos was outstanding" 

Richard Dyer - Boston Globe 

"Finely played by Lisa-Maree Amos - an altogether excellent concert 

Michael White - Independent on Sunday, UK 

Opening the program was Wagner's moving "Siegfried Idyll," of note

throughout the program were standout performances by principal flute,

Lisa-Maree Amos. Sabine Kortals - Denver Post 

"The second half of the program brought a stunning performance

of Claude Debussy's Sonate for Flute, Viola and Harp.

Flutist Lisa-Maree Amos brought magic to the Boulder Theater with

crystalline playing" Colorado Daily, USA 

 

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